Louis Comfort Tiffany (1848-1933)
OREL ART COLLEGE
‘NOTHING IS LESS REAL THAN REALISM’
GEORGIA O’KEEFFE, (1887-1986)
The long life of Georgia O’Keeffe can be divided into many periods.
She was a loner and a cultural icon, she was a beauty and a recluse with a weather-beaten face, and she was born on a farm…
She received her first art instruction from a local watercolourist. After her painting Dead Rabbit With Copper Pot won a prize she got a scholarship to study in New York. It was there that she visited for the first time the 291 gallery owned by Alfred Stieglitz.
In 1908 Georgia graduated from the School Of The Art Institute in Chicago… and stopped painting. She worked as a commercial artist and then as a teacher and said that the smell of turpentine made her sick. She started painting again only in 1912 after a class where she learned the innovative ideas of Arthur Wesley Dow.
1916 was a very important year for Georgia. She had met her future husband, the owner of the gallery 291 Alfred Stieglitz, and he fell in love first with her works and then with herself. Although Georgia was on the right side of thirty and Alfred Stieglitz on the wrong side of fifty and married, it was Love. They wrote letters to each other for two years, then Georgia came to New York and they started living together. They were officially married six years later in 1924 when Stieglitz had got divorce from his wife.
The couple spent their summers at Lake George with the Stieglitz family and friends. However, O’Keeffe needed her own place to be alone and in 1929 she set out to find it. As it turned out, the place was New Mexico where she spent some time every year and later bought a ranch. It was a wilddesert country with white sand, grey hills and a strong sun. She collectedrocks and bones from the desert floor and made them subjects in her work. She also went on camping trips, painting scenes from the desert, such as Ram's Head White Hollyhock and Little Hills. She also painted enlarged flowers and abstract things, such as Blue and Green Music.
At times the wind was so strong that it tore the canvas from the easel, at other times the sun was so hot she crawled under her car for shade... the sun also made her look older than she was. She wore baggy clothes and led the life of a recluse, driving long miles in her old Ford looking for scenes to paint.
In 1946 she received the news that Stieglitz was seriously ill and flew back to New York. She found him in a coma and was with him when he died.
Georgia buried his ashes at Lake George, spent the next three years in New York organizing his archives and moved permanently to New Mexico in 1949.
In 1972 O’Keeffe began to lose her eyesight so that she was left with only peripheral vision. She had to stop oil painting but continued to work in pencil and charcoaluntil 1984.
In 1973 a young potter Juan Hamilton came to her ranch house looking for work. She gave him a few odd jobs and soon hired him full time. He became her close friend, companion and business manager until her death. Hamilton taught O’Keefe to work with clay, and working with help, she produced clay pots and a series of works in watercolor.
O'Keeffe started losing her strength in her late 90s. She moved to Santa Fe in 1984, where she died on March 6, 1986, at the age of 98. In accordance with her wishes, her body was cremated and her ashes were scattered to the wind over the hills she had painted so often and loved so well.
Dead Rabbit With Copper Pot Мертвый кролик и медный сосуд
Ram's Head White Hollyhock and Little Hills Голова барана, белая шток-роза и небольшие холмы
O’Keeffe facts
Georgia O’Keeffe, Pineapple Bud, 1939
· Georgia O’Keeffe was born 8 years before the coronation of Nicholas II and lived to see the Internet.
· She was born on a farm, but among her ancestors were Irish and Romanian aristocrats.
· In 1938 an advertising agencycommissioned O’Keeffe two paintings of pine apple for the Dole Food Company. The company paid for her trip to Hawaii, where she spent nine weeks painting flowers, landscapes and traditional Hawaiian fishhooks. But she only painted the pineapple when it was delivered to her New York studio.
· In 2006, a fossilized species of archosaur was named after O'Keeffe.
· Alfred Stieglitz made about 500 photographs of Georgia O’Keeffe. The early photographs were exhibited at the 291 three years before their marriage. As some of them were in the nude, it created a public sensation. Some people were shocked; others called them ‘the greatest love poem in the history of photography’.
· ‘He photographed me until I was crazy’, was all Georgia said.
· Eight of the highest prices paid at auction for Stieglitz photographs are images of Georgia O'Keeffe. The most expensiveprint Hands was sold for US$1.47 million at auction in February 2006. At the same sale, Georgia O'Keeffe Nude, another 1919 print by Stieglitz, sold for $1.36 million.
Correct the statements:
1. Georgia O’Keeffe worked as a teacher all her life.
2. Georgia O’Keeffe was a famous French painter who was famous for her realistic manner.
3. Georgia O’Keeffe was an outgoing personality who couldn’t stand being alone.
4. Georgia and Alfred got married one month after they first met and stayed together in New York all their lives.
5. Georgia O’Keeffe was a talented artist but she didn’t realize her potential as she died very young.
6. Alfred’s hobby was painting; he painted Georgia until she went ballistic.
7. Although Georgia couldn’t stand the cold, she spent a greater part of her life in Alaska painting icebergs, snowstorms and polar bears.
8. Georgia didn’t stop painting until her death.
ALFRED STIEGLITZ
I have always been a great believer in today. Most people live either in the past or in the future, so that they really never live at all. So many people are busy worrying about the future of art or society; they have no time to preserve what is. Utopia is in the moment. Not in some future time, some other place, but in the here and now, or else it is nowhere.
Alfred Stieglitz was born the first of the six children to Jewish-German
immigrants in 1864. Two of his brothers were twins so he never was part of their games and always wished for a twin of his own.
His father was a US army officer and very serious about the education of his son. He went to the best private school in America and, since the programme in American colleges was too easy for him, continued his studies in the more academic schools of his German homeland. There he spent a lot of his time on intellectual discussions, enjoyed $1200 pocket money every month and, most importantly, came across the leading German authorities on photography, which was to become his lifelong passion.
By the time he returned to the United States he already considered himself an artist with a camera and refused to do anything else.
His father bought him a small photography business, but Stieglitz demanded such highquality in the
production and paid his employee such highwages that the business rarely made a profit. About that time he bought a new kind of camera which didn’t require a tripod and made his two most famous photographs: "Winter, Fifth Avenue" and "The Terminal". He also began writing articles for photography magazines.
When he was twenty-nine, he married Emmeline Obermeyer, but as she never managed to become his twin, the couple lived separate lives under the sameroof. Instead, he devoted his time and energy to his own projects, such as New York Camera Club, Camera Work magazine, where he printed the works of Picasso and Matisse, the 291 gallery, where he exhibited the works of Rodin and, for the first time in America, exhibited photography as a form of art.
Stieglitz was a perfectionist, and it showed in every aspect of his magazine Camera Work. His quality standards were so high that when the originalprints didn’t arrive for an exhibition in Brussels, pages from the magazine were hunginstead, and the public didn’t know the difference. He also refused to let the smallest detail pass without his personal control, for example, he individually wrapped and mailed 35,000 copies of Camera Work in the course of its publication.
The year 1917 cut the biography of Alfred Stieglitz in two. He closed the gallery and the magazine and knew that his marriage was over. He had met the young painter Georgia O’Keeffe and had finally found his twin.
Their marriage had a special character, for, although the couple lived together most of the time, O’Keeffe also needed long periods of solitude when she was focusing on painting or creating. Stieglitz used the times she was away to concentrate on his photography and on his continued promotion of modern art.
The marriage worked this way until Stieglitz’ death in 1946. O’Keeffe was there with him when he died and spent the next three years organizing the work of perhaps the most important figure in the history of visual arts in America. Though certainly not the greatest artist America has ever produced, through his revolutionary roles – photographer, discoverer and promoter of other artists, collector, publisher and writer - he had a greater influence on American art than any other person.
True or false?
1. Alfred Stieglitz had a twin sister.
2. Originalprints by Alfred Stieglitz are worthover $ 1 000 000 now.
3. The Stieglitz family was very rich.
4. Alfred Stieglitz was a very lazy businessman and let his employee control everything about the business. However, he paid his employee very little wages.
5. The two most famous Stieglitz photographs are Ram’s Head White Hollyhock and Little Hills and Blue and Green Music.
6. Alfred Stieglitz was a perfectionist.
7. Alfred Stieglitz made his first wife individually wrap and mail twenty thousand copies of Camera Work.
8. All his life Stieglitz concentrated on only one thing: Photography and never did anything else.
Active Vocabulary
advertising agency рекламное агентство
although хотя
canvas холст
charcoal уголь
clay глина
collect собирать, подбирать, коллекционировать
commission заказывать художнику картины, скульптуры и т.д.
contain содержать
couple пара
desert пустыня
difference разница
discover открывать
divide делить, разделять
easel мольберт
employee наемный работник
exhibit, syn. display выставлять
exhibition выставка
hill холм, невысокая гора
however однако
hang (hung, hung) вешать
landscape пейзаж
lose (lost-lost) терять
manage справляться, удаваться, управлять
mention упоминать
nude обнаженная натура
original оригинальный, первоначальный
over над, более чем, be over заканчиваться
outgoing общительный, открытый
outstanding выдающийся
own владеть, собственный
page страница
pocket карман
print печатать, снимок, гравюра
private частный, личный
profit прибыль
promotе продвигать
publish издавать
rarely редко rare редкий
recluse затворник
require требовать(ся), нуждаться
rock камень, скала
(the) same тот же самый, одинаковый
sand песок
scholarship стипендия
shade тень
solitude уединение
stand терпеть, выносить
tear (tore, torn) разрывать, срывать
tripod треножник
twins близнецы
unique уникальный
wage сдельная заработная плата
watercolourist художник, который рисует акварелью
weather-beaten обветренное и высушенное загаром (о лице)
worth be worth стоить
Vocabulary Exercises
I Отгадайте слово и переведите:
1. сrenefefid
2. selucre
3. tulisode
4. pishlashorc
5. larcocha
6. misnomosic
7. hewrove
8. pucole
9. scalapend
10. revodisc
11. timonen
II Образуйте существительные от следующих глаголов и переведите:
1. сollect
2. contain
3. discover
4. lose
5. manage
6. hang
7. own
8. promotе
9. print
10. publish
III Выпишите из текстов слова, относящиеся к темам «Искусство», «Живопись» и «Фотография»
(должно получиться не менее 25 слов)
IV Переведите
1. Nearly all of modern pictures contain much more sense than you can see at first sight. 2. Most of the original Greek sculptures were lost for us. 3. In some deserts the sand can be different in colour. It can be red, grey or white, not only yellow. 4. Everybody needs solitude sometimes. 5. I have lost my scholarship because of bad marks. 6. Many years ago I wanted to work in an advertising agency. 7. The pages of the old book were all torn and dirty.
V Перевод:
1. Некоторые люди нуждаются в уединении, некоторые очень общительны. 2. Я не получаю стипендию в этом семестре (term), однако родители дают мне деньги на карманные расходы. 3. В чем разница между углем и карандашом? 4. Мой любимый пейзаж – это пустыня. Невысокие холмы, мертвый песок, горячие камни, никакой тени – и над всем этим горящее солнце. Арабы с обветренными лицами, верблюды, песня Стинга «Роза Пустыни» (Desert Rose)… 5. Современные фотоаппараты не нуждаются в треножнике. 6. Он сорвал холст с мольберта и разорвал его на две части. 7. Я люблю открывать для себя новых людей и новые страны, хотя я и делаю это только в Интернете. 8. Ты выставлял свои акварели на прошлой выставке? 9. Мой менеджер коллекционирует редкие машины, он заплатил 80 тыс. долларов за старый Форд на аукционе. 10. Близнецы часто выбирают одинаковую одежду. 11. Одно рекламное агентство заказало нам оригинальный проект. Надеемся, что мы получим прибыль в соответствии с контрактом! 12. Это моя личная страница. Что я здесь выставляю, это мое личное дело.
VI Составьте сообщение на одну из тем:
1. Georgia and Alfred
2. An American Icon
3. The Unique Life of Georgia O’Keeffe
4. Alfred Stieglitz and American Art
Discussion Points
· What is the difference between solitude and loneliness? Are you a loner and a recluse or an outgoing person?
· Do you need solitude to focus on your projects? Is it easy for you to concentrate in the presence of other people?
· How much is your scholarship? What do you spend it on? How much pocket money do you get? If you got US$ 12000 pocket money every month like Alfred Stieglitz did, what would you do with it?
· What types of landscape are mentioned in the text? What other kinds of landscape do you know? Which of them are your favourites to be in or to paint?
· Georgia O’Keeffe and Alfred Stieglitz were married, but lived separately for long periods. What are the pluses and minuses of two artists living together? Are you ready to marry an artist?
Jackson Pollock and Lee Krasner
Jackson Pollock (1912 – 1956) was the head of the Abstract Expressionist* movement which was the most important trend in the USA in the 1940s and 50s. He was famous for his unique style of drip painting.
Like his role models Picasso and Salvador Dali, Pollock also had a wife of Russian origin, painter Lee Krasner, born Lena Krassner to immigrant parents. Though born in America, she was a typical Russian woman in helping Pollock fight his alcoholism and go through hard times before they had both become recognizable. They met in New York and later moved to a seaside place called Springs. With the help of Peggy Guggenheim* they bought a house and a barn which Pollock had turned into a studio. It was there that Pollock started working in the drip technique.
Though some people call it crazy, the drip technique was unique in more than one way. This kind of painting is also called “All-over style”*. There’s no place for traditional composition or even traditional tools like the brush and the easel and one part of the painting is just as important – or unimportant – as another. To stop people thinking and looking for recognizable objects in his art Pollock even stopped giving names to his works and started using numbers.
A large canvas was laid on the studio floor and Pollock would movearound it in a kind of trance, almost dancing, not seeing or hearing anything else. As he dripped the paint on the canvas, some of the paint went in, so it was a mixture of controllable and uncontrollable factors. Then he would stop moving and say “This is it”.
However, he stopped working in the drip technique at the peak of his popularity and started working in other styles. In spite of his popularity, his alcoholism got worse and he didn’t paint a single picture in 1956.
On August, 11, 1956, while Lee was away, Jackson Pollock brought his young girlfriend Ruth Kligman and her friend Edith Metzger to his home in Springs. Later in the evening when Jackson was already drunk they set out to go to a party. The car crashed less than a mile from Pollock’s home. Jackson Pollock and Edith Metzger were killed instantly, Ruth Kligman survived.
After Pollock’s death, Lee Krasner worked to keep up his popularity and reputation. It was also after his death that she painted her brightest and best works, although her legacy was not very large as she often cut up her own pieces. She died at the age of 75 from natural causes and was one of the four women artists to have had a retrospective show at the Museum of Modern Art.
As in his lifetime, when Pollock’s painting was either loved or hated, the discussion still continues now, nearly 70 years after his death.
When mathematicians tried to examine Pollock’s works after his death they discovered that the geometric movement of splashes of paint in his drip technique is identical to the rhythm of mathematical fractals. They say that Pollock had an intuition of chaotic movement 10 years before the discovery of Chaos Theory.
Other critics explain Pollock’s popularity as a weapon of the Cold War: he was both an authority in modern art and the strongest possible contrast to Social Realism* among American painters.
In spite of the continuing disputes over Jackson Pollock’s works and the hard times he often went through in his lifetime, his popularity continues well into the 21st century. His Number 5 holds the official price record of $ 140 million, rock and jazz bands use his works in their cover artworks, and Ed Harris film Pollock was an Oscar winner in 2001.
Abstract Expressionism Абстрактный Экспрессионизм
Peggy Guggenheim* Пегги Гуггенхайм, известная американская покровительница искусств
All-over style Абстрактный стиль, где нет деления композиции на разные планы
Social Realism* Социалистический реализм, стиль живописи в СССР
From Ed Harris film Pollock, 2000
Dialogue I
About the painting Male And Female, 21:21-23:54
Lee: What’s this? I see the head, the body… This isn’t cubism, Jackson, because you’re not really breaking the figure intomultiple views. You’re just showing us one side… What is this? Free association, automatism?
Pollock: I’m just painting, Lee…
Lee: But what are you doing, Jackson? Don’t tell me you don’t know what you’re doing. Are you experimenting with surrealism? Is this a dream? Even if it’s a dream, it’s still what you see. It’s life. You’re not justrandomly putting paint on the canvas, you’re painting something. You can’t abstract from nothing, you can only abstract from life, from nature…
Pollock: I am nature.
Lee: But if you only work from inside yourself you repeatyourself.
Pollock: Why don’t you paint your own thing?
Dialogue II
The Proposal , 43:05-44:18
Lee: We could move out here.
Pollock: Leave New York?
Lee: It would be good for us.
Pollock: Churchwedding.
Lee: Jackson, there’s no need…
Pollock: Church wedding or nothing.
Lee: No family, please.
Pollock: No family.
Lee: We’ll need a witness.
Pollock: May Rosenberg.
Lee: And Harold.
Pollock: No Harold.
Lee: What church?
Pollock: That’s a good question.
III The Drip Technique, 01:02:00-01:06:05, The Mural 31:20-34:44
Male And Female Мужчина и женщина
abstract from абстрагироваться, отталкиваться от leave покидать, оставлять
break into разбивать на move переезжать
canvas холст multiple views зд. множественные плоскости
сhurch церковь, церковный рroposal предложение руки и сердца
even даже repeat yourself повторяться
inside внутри, изнутри, вовнутрь still все еще, все равно
just только что, просто, всего лишь wedding свадьба, венчание
randomly беспорядочно, хаотично witness свидетель
Louis Comfort Tiffany (1848-1933)
Louis Comfort Tiffany was a member of the clan, a painter, a photographer, an interior designer, a collector, a world traveller, a manufacturer and a gardener. Above it all, he was a man to see the light, and he made other people see it through his stained glass. He was the father of American design, and his family name reads as a synonym of luxurygoods.
His father Charles Lewis Tiffany, the founder of Tiffany and Co, was hoping that his son would succeed him as business director, but the dream of the son was to be an artist. The son succeeded in both spheres.
With the help of his friends and his father’s money, he soon became known as an interior designer, whose clients included Mark Twain, the Vanderbilts and the President Arthur who wanted Tiffany to decorate the White House. Stained-glass windows were an important feature in those interiors, and Tiffany tea services became a tradition in the White House.
He worked with all kinds of materials: glass, canvas, ceramics, metals, and you can see his stained glass windows in American churches. He managed to do the impossible: to work for money while producing real art.
Questions:
Who was Charles Lewis Tiffany?
What two professions did his son combine?
What were his hobbies?
What materials did Louis Comfort Tiffany work with?
Who were his clients?
Tiffany facts:
A modern example of Tiffany luxury is a series of ten cellphones that the company produced in 2008. Each telephone contains more than 400 diamonds, total more than 4 grams, and costs about US $ 800 000, the equivalent of 7 new BMW cars.
Carat as a weight standard for gems was introduced with a help of a Tiffany gemologist.
In Marilyn Monroe’s song ‘Diamonds are a girl’s best friends’ the name ‘Tiffany’ is mentioned twice.
In the iconic film of the sixties Breakfast at Tiffany’s Audrey Hepburn’s character says that a Tiffany jewelrystore is ‘the best place in the world where nothing bad can take place’.
The surname ‘Tiffany’ has now become a first name.
In the New York City Tiffany store you can see the famous 129 carat/26 grams Tiffany yellow diamond.
Questions:
What does gemology study?
What precious stones and metals do you know?
Where is the name ‘Tiffany’ mentioned in the popular culture?
Match the words in the columns and use the expressions in phrases or sentences of your own.
amber hard
marble green
emerald grey
sapphire white
ruby white
diamond blue
silver yellow
pearl red
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